Shane Perley-Dutcher is a Wolastoq (Maliseet) mixed media artist from the Neqotkuk Wolasqiyik (Tobique First Nation) in New Brunswick. From a young age, art and creativity has been his passion. Shane has been mentored over the years by elders and artists from various Indigenous communities, including learning to weave from renowned basket maker Veronica Atwin in Bilijk (Kingsclear First Nation). He was formally trained at the New Brunswick College of Craft and Design, earning a Diploma in Natives Art Studies and Jewellery Manufacturing with honors and distinction. Shane uses traditional materials such as birch, cedar, spruce, ash, copper, silver, gold and platinum in his art to maintain his connection to the land and fuel his creative process. As the proud creator of Aduksis Jewellery Designs, he specializes in custom and intricate jewellery, one of a kind sculptures, and basket-weaving.
Shane’s art is evolving to include large-scale, commission-based pieces exploring themes of truth and reconciliation, and Indigenous sovereignty. As Shane’s skills have grown over his years of experience as a Wolastoq artist, he is focusing on creating pieces of substance that tells his story and the story of his community, and allows him to use his artistic ability in an impactful manner. The evolution of his art has also included the use of new materials due to the Black Ash tree, a central part to the creation of Indigenous art, declining in population. Shane has turned to the use of metal in his basket-weaving, showcasing the intricacy and flexibility of his skills as he pioneers the art form. The ability to take modern materials and apply them to traditional practices demonstrates the resiliency of Shane and his community as they work to maintain their history and tradition.
Shane draws his design inspiration from Wolastoqiyik traditional knowledge and contemporary aesthetics, inspired by his years of experience working with talented Indigenous artists. Authentically representing Indigenous culture is an integral part of Shane’s artwork and creative process. Respecting his connection to the land and building on that relationship creates endless opportunities for Shane to grow as an Wolastoqey artist. Honoring traditional Indigenous techniques and fusing them with modern design is Shane’s way to keep their traditional knowledge alive for generations to come.